Category Archives: poem

emergency preparedness.

each morning
i enter the library

first
into the glass airlock
through double doors
that help you push them
open, pause at their widest
collapse emphatically
resisting interruption
if your rhythm is wrong

then
the second double doors
inert and flimsy, no will
in the shadow of
the first.

then
hip high metal flippers
make me a pinball
ricocheting right
across the reading room
through clicking wooden door
into invisible library parts still quiet
when the phones stop ringing.

tuesday
in the airlock
a tiger swallowtail still
on the flat flush floor
sill of plate glass
surveying brick
behind a tree in a pot
beside a cardboard death trap

how do i see these things?
why must i notice
the hatchling in the leaves
the beetle struggling beneath bananas
the steel blue feather in the grass
the abyss in the eyes of strangers?

i walk alone, quiet, and look
i see more than most
i think
yet
i can’t fathom all the wonders
i do not see
despite looking

sometimes
i try to keep walking
leave the feather on the ground
do not carry the cicada
from the brick walk to the tree
do not tuck another fallen leaf
between the leaves of your calendar
but it is painful not to stop
not to treasure
not to honor
not to try

before
i make it to my desk
i know i will
drop my bags
power on the computer
turn around
out the clacking door
across the reading room
between the scanning sentinels
out the flat doors
into the violent heat

then
around around and back
airlock again
rustle behind the potted trees
the circulation desk
must think i’m touched

but
i touch you
tentative
your wing flaps up
and i had imagined
you were probably dead

so
careful careful
must get you outside
careful, touch thorax
touch abdomen
careful, touch not your wings

through flimsy doors
through flippers
ricochet left
wondering
at your strength in my hand
your wings slowly beat
why we walk around in circles
locks and one way doors

careful careful
please do not fly
not in the library
it houses a different kind of life
another kind of beauty

careful careful
just a moment more

see
i’m frightened
of trying to help
scared
i might instead harm

careful
through the flat doors
outside
where you belong
swallowtail, meet shrub

but
something
is wrong and sticky
your hindlegs tangled
in what might
or might not
be cobwebs

i pull the tacky mass
gentle
but my body betrays me
the more i need precision
the more
my heart pounds
my hands shake

hopeful i am not hurting you
afraid to pull the cobwebby clump

(can you even imagine
tearing the legs from a butterfly?

i can imagine why i have been
finding cicadas crushed
into concrete or brick
campus is full of students
now

and
i hope
but doubt
their steps
are accidents)

your wings beat faster
when i pull
do i project your fear?
pain?
your insect wild
need to flee?
i can’t hold you
can’t pull harder
you take flight

first
you struggle
so do i
apprehending the possibility
of watching you fall

then
you find
your rhythm

now
ascending black
against clear hot sky
ropy burden dangling behind

now
all that exists is you
flitting up
up higher
high into the blue
higher than i knew
even unburdened
papillons could fly

then
you are gone
behind roof line
out of sight

i am shaken
shaking i failed to save you
released you into danger
with a sticky weight
a mark upon you
dragging you down to
certain and soon
death

again
through the willful doors
the airlock, flimsy doors, flippers
fighting disappointment
fear of tears
or moistness of eyes
of people saying
once again
too sensitive, silly
crying over butterflies
or birds hit by cars
everything dies

but
taking flight
is freedom
is hope
spying a startled bird
alighting directly into steel destruction
is perverse

a butterfly
climbing
up and away
towing its sticky demise:
the same

like this
to office, to cube
to work, to meeting
to prepare
for disaster

emergency comes in flavors:
fire
wind
buildings collapsing to earth
security
which means a human with a gun
or two or four

amid this
listening, talking
planning, debate
subsides
the ache in my chest
behind my eyes

later
the sadness finds me again
and i wonder
why is it
contingencies of human evil
distract from the centered ache
and
what it means
that this is so
and
how many ways exist
of being a traitor
to your own kind

* I haven’t claimed to be a poet in over 13 years, but some things just want to come out in fragments and images and this is one of them. An unpolished unrevised ramble.

celebrate something.

Celebrate Something

If only the absence of the co-worker whose life’s dull plot
you know by heart,
or the shiny nose on the tiny bust of the great dead man
on the lobby wall.
Lean away from the desk, instead toward the window, its view of a bend
in the tracks where the bullet trains whoosh by, blurring
present and past and the many years you hope to have ahead.
Then walk home at a loll, letting the lush profusion of nasturtium
and the sound of the phrase itself re-instill the loyalty to beauty
that work downplays, savor the way trout tune their flex to turbulence
to survive the whitest water, as well as the triumph of mystery
in the stutter-step flight of a common butterfly,
which evades understanding and so ensures the simple questions
will continue to be asked, for example, how does it fly and did your wife know
by placing the pot of night-blooming tobacco at the back door
in her absence its perfume would moisten your sleep
until her return; and isn’t it luck that each ladder in the cherry orchard
wedges so safely against a tree of almost any shape,
long marriages are like that;
and the urge to be wholly known, the places it takes us,
the villa among the black pines where the table out back is laid for two,
you and a beloved, sweet cakes, warm milk, and ten sorts of dates await you
when you rise refreshed from the blue dreams of early morning that waft
like smoke out the bedroom window, open to allow the breezes of love
to envelop you all night long—can you recall the way?

– Emily Wheeler

I got to the middle of this poem and felt tricked as it twisted itself into a love poem. That admitted, I still liked it and will continue to celebrate in the manner of the first half, cultivating optimistic curiosity about whether I shall ever celebrate in the manner of the latter half. ((Feeling free to replace “wife” with “partner” and “marriages” with “deep romantic relationships.”))

We’ll see.

voices.

On my mantel, I have constructed what I refer to as the “Voices altar.” ((I use the word altar, though it is probably more correctly called a shrine, but the word shrine calls up images of men in fezzes on tricycles, which is not what I’m going for here.)) It is a place to remember gratitude and connectedness, not to worship. I have arranged images of people whose voices have gotten me through, convinced me I was not the only one like me when I felt most alone, and essentially collectively saved my life. Call them part of the pantheon in my personal mythology.

Henry and Anaïs
I won’t go into who all is represented, but the crowd includes both Henry Miller and Fred Rogers, so it’s an interesting bunch.

D.H. Lawrence
is included. In high school I read The Rainbow, Women in Love, and of course, Lady Chatterley’s Lover. Lawrence’s books may have been the first place I got the message that sensuality and sexuality could be reveled in without shame, guilt, or fear. That they might be celebrated instead of denigrated. That they are part and parcel of spirituality, and that spirituality is a different beast than religion. That life itself is to be celebrated instead of tolerated or suffered until one gains entrance to “a better place.”

So, thank you D.H. Lawrence.

Holly Gray at Don’t Call Me Sibyl is also grateful and writes in An Open Letter to D.H. Lawrence:

But your bird inspires me and awakens the feral in me, reminding me of the wild thing I once was and can be again. The ropes that hold me down are merely the ghosts of ropes that dissolved long ago. My illusions are all that oppress me now.

I was grateful to run across that post while skimming over Dr. Kathleen Young’s July 2010 Blog Carnival Against Child Abuse. The theme was Independence.

What I have been wondering is how to gain independence from the tyrannical need to be “independent.” From the outside this “independence” easily appears strong, sure, and self-sufficient. From the inside, one can romanticize one’s life and identify with D.H. Lawrence’s Baby Tortoise ((Remember, sometimes tortoises help tortoises, too.)):

Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through
immemorial ages
Your little round house in the midst of chaos.

Over the garden earth,
Small bird,
Over the edge of all things.

Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.

All life carried on your shoulder,
Invincible fore-runner.

If you look closer, however, you see the independence is brittle. It is brittle because it is fear, not independence. When one learns certain lessons early in life, one learns it is less painful just to turn inward and become an absolutely self-sustaining emotional unit. Like many coping mechanisms, this works brilliantly when needed, but later becomes unhelpful and extremely difficult to shake.

When I first heard about it, I thought Biosphere 2 was an inspiring, beautiful concept. But rather than succeed as a hermetically-sealed self-sufficient paradise, that project demonstrated how quickly such a system can poison itself and become infested.

The child who learns not to get attached to people and that emotions and needs get her into trouble becomes the woman who insists upon being dropped off at the emergency room by herself, calls no one to come when she learns she will have surgery, and recovers from the operation alone except for one friend bringing pajamas and books to the hospital, another fetching her home, and another bringing a load of groceries and drugs the first night.

Such habitual defenses are so difficult to shake precisely because they are rightly owed a spot on the Voices altar. Donald Kalsched writes of an inner Protector/Persecutor as part of what he calls the archetypal self-care system. The Protector aspect devises the defense strategies, and the Persecutor aspect attacks and blames the self when it goes beyond defenses and gets hurt:

It functions, if we can imagine its inner rationale, as a kind of inner “Jewish Defense League” (whose slogan, after the Holocaust, reads “never Again!”). “Never again,” says our tyrannical caretaker, will the traumatized personal spirit of this child suffer this badly! Never again will it be this helpless in the face of cruel reality….before this happens I will disperse it into fragments [dissociation], or encapsulate it and soothe it with fantasy [schizoid withdrawal], or numb it with intoxicating substances [addiction], or persecute it to keep it from hoping for life in this world [depression]….In this way I will preserve what is left of this prematurely amputated childhood — of an innocence that has suffered too much too soon!”

Despite the otherwise well-intentioned nature of our Protector/Persecutor, there is a tragedy lurking in these archetypal defenses. And here we come to the crux of the problem for the traumatized individual and simultaneously the crux of the problem for the psychotherapist trying to help. This incipient tragedy results from the fact that the Protector/Persecutor is not educable. The primitive defense does not learn anything about realistic danger as the child grows up. It functions on the magical level of consciousness with the same level of awareness it had when the original trauma or traumas occurred.

And so the question is: how does one convince an uneducable part of oneself that is about as trusting as a feral cat to open up and connect fully with people when the nature of the world and everything in it is impermanence? The trouble is finding the middle place of being with between grasping and rejecting ((i.e. grasping at not-grasping)). With every loss, disappointment, or betrayal the Protector/Persecutor picks up another beam of evidence with which to beat you and then build walls.

Kalsched says the answer is grief.

Those in the know say blog posts should be brief.

if what a tree or a bush does is lost on you, you are surely lost.

Lost

Stand still. The trees ahead and the bushes beside you
are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you,
If you leave it you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

— by David Wagoner, reproduced in David Whyte’s book, The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America, p. 261-2.

When I was a child, I named the trees around our various houses ((One year we had four in three states. Sequentially, not simultaneously.)) and had a ritual of walking to each of them and saying hello. In fourth grade I wanted to be a dryad. I wrote something for school in which the main character was a dryad. I don’t remember anything about the plot, but I do remember my teacher marking off points because, he commented, you cannot just make up words like “dryad.” ((In studying library and information science, I have learned it will actually get you cited a lot if you make up new words.)) I tried to explain to no avail, and remember this moment clearly—a snapshot of impotent frustration and rage.

Since I began working as electronic resources cataloger at Davis Library on January 11 of this year, I have crossed McCorkle Place nearly every work day. Here is a description of McCorkle Place from a June 18, 2008 UNC tree and foundation plant evaluation of the space:

Over 680 taxa were cataloged. The number reflects the building foundation shrubs and small trees. However, the essence of McCorkle resides in the splendid diversity of noble trees anchored by the Quercus alba, white oak, with 88% (22/25) rated “high” and three “moderate”. These white oaks may parallel in age those on Polk Place. The exciting aspect is the exceedingly vibrant health of these trees. Canopies were full and dense, foliage saturated blue-green, leaves plump and oversized, bark and trunks without wounds and abrasions.

At least 15 Quercus taxa were identified at McCorkle. In fact, the genus constitutes 54% of the total trees. The three Quercus michauxii (could be Q. montana), swamp chestnut oak, are magnificent. …

…McCorkle should never be cluttered with small-stature trees. The great boles of the noble trees, the canopies providing cooling shade, architectural winter silhouettes, subtle to riotous fall colors, early fresh green from the Liriodendron to the mouse-ear-gray and -pink of the Quercus alba…Heaven-sent. McCorkle only needs tweaking.

All of that and it’s the cement-filled Davie Poplar that gets everybody’s attention.

I consider mindfully walking through this space to be part of my spiritual practice. Of course, some days I miss it completely because I am trying to explain things to a maladaptive introject or planning my work tasks for the day. But most days I am silently saying hello to the trees, thanking them for their lush shade, and feeling the places in the brick path where their roots create subtle bumps.

Family portrait

Family portrait

In April, there were many “small-stature trees.” They sprang up where the large-stature trees had dropped their acorns. I’m not sure what was done to them, but it wasn’t friendly, because the areas beneath the trees were soon covered in neat, clean mulch with no fresh green popping through.

Looking out at the big wide world

Looking out at the big wide world

Over time names have come into my head for some of the trees. One is Jonah. My favorite is Dancer, the “mom” in the above family portrait. I was slightly horrified on Monday to come upon her surrounded by caution tape, one of her limbs cut into pieces on the ground beneath her. Her large lower limb ((the one on which a barred owl perched and stared me down while being pecked by mockingbirds)) now has a scar from this higher limb’s fall.

Jonah's foot

Jonah's foot

There are certain things that come up time and again in my own personal mythologizing (or psychologizing), and thus my dreams, my art, and my words. Trees are one of them, which is not surprising given the richness of tree symbolism across world cultures. It is time for me to begin writing about these symbols and themes in a more organized manner than I have in the past, so this may be the first in a series of personal mythology posts. We’ll see. ((I have taken to saying this a lot in the past year, usually with a smile, and always thinking about the linked story.))

At any rate, two lovely tree-related things that have nothing to do with me except that I’ve purchased them:

The Night Life of Trees

The Night Life of Trees

Book: The Night Life of Trees by Bhajju Shyam, Durga Bai and Ram Singh Urveti

Intricately drawn visions of trees fill the pages of this sumptuous book of art and folklore from the Gond tribe in central India. In Gond belief, trees stand in the middle of life, and the spirit of many things lie in them. They are busy all day, giving shade and support and shelter and food to all. Only when night falls can they find rest for themselves, and then, under quiet dark skies, the spirits that live in them are revealed. Recreated from original art by Ram Singh Urveti, Bhajju Shyam and Durga Bai, three of the finest living artists of the Gond tradition, The Night Life of Trees is a tribute to the majesty of trees, and to old ways of relating to the natural world. Each painting is accompanied by its own poetic tale, myth or lore – narrated by the artists themselves recreating the familiarity and awe with which the Gond people view the cosmos.

Necklace: Tree of Life pendant from ccvalenzo on etsy. The shop carries the same tree image on pendants of different shapes and colors. I’m very tempted to pick up a black and white one.

Tree of Life pendant

Tree of Life pendant

all my life i was a bride married to amazement.

When Death Comes

When death comes
like the hungry bear in autumn
when death comes and takes all the bright coins from his purse

to buy me, and snaps his purse shut;
when death comes
like the measle pox;

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering;
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth
tending as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

When it’s over, I want to say: all my life
I was a bride married to amazement.
I was a bridegroom, taking the world into my arms.

When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened
or full of argument.

I don’t want to end up simply having visited this world.

~Mary Oliver